I work primarily in acrylics and collage.I use collage and beewax in my assemblage works and am now completing several shrines using found objects. I have been experimenting with encaustic collage and have found the medium very challenging. The paint is a combination of melted beeswax and pigment. A small amount of damar resin is added for hardness. I mix these paints myself and while painting all custom colors are mixed directly on a hot palette.
I will share my progress with this exciting medium with photos of work in progress and finished pieces.
Painting outdoors is great, as the lighting is fantastic and I don't have to worry about breathing any wax fumes.
There is an abundance of fresh, spring air for me to breathe.
My Inspiring View
Paper is a great porous surface to paint on when using wax. I am working on small 6x8 pieces of masonite with watercolor paper glued to the surface. The glue I use is white PVA and works very well, although care should be taken not to get any glue on the paper, since it is a plastic based adhesive. I press these under heavy books and wait 24 hours before painting.
I like to break up the surface of the white paper before I begin with the first layer of wax. I have used a shiva oil paint stick to draw lines. A sharpie marker, india ink or oil pastels also work well for drawing. It is important to remember not to use any acrylic paints or inks.
On this one I have used watercolors to break up the surface with an under painting of color blocks.
Imagery can be added after the wax has been applied as in the work above. The insect is a transfer I made with a toner copy. A thin layer of clear medium is brushed on the transfer.
I added these lines with a sharpie on top of the wax. A layer of clear encaustic medium is brushed over the surface, this will keep the marker from rubbing off. I love the way it always smears a little and softens the look of the line.