Achieving a smooth encaustic surface

A Bird In This World
10" x 10"

This piece has the luminous, smooth surface that is typical of encaustic medium. Many layers are built up in the same way as a textured surface, so this painting still has approximately 8-10 separate layers. In order to get a smooth flat look, the surface must be hand scraped after each addition of paint. The paint should be slightly warm to the touch. If it is too warm, or if you scrape too deep, all the color from that layer will be removed. It's a judgement thing and takes a little practice to avoid making ridges.
For years I used single edge razor blades or long handled razor blade scrapers that house painters use.
These become dull quickly and are awkward to keep level.
I have found the perfect thing for the job, and it is used by potters for sculpting clay. It is a loop clay tool and comes in many sizes and, can be purchased where pottery supplies are sold.

I have utilized my hand dyed papers for collage and stenciling to create the crisp, bold images.